2nd blog Award.

After 3 months of starting this blog, today I received the 2nd nomatination blog award by my dear friend Mondrak, owner of Mondrak’s Blog for the second prize of blogger. Thank You for that, friend.

The rules are:

  1. Link back to the person who nominated you
  2. Post the award image to your page
  3. Tell seven facts about yourself
  4. Nominate 15 other blogs

1. Thank You again to Mondrak for nominate me, it’s a honour for me. Please, check the Mondrak’s Blog, it’ s time well spent in her blog and You sould be back again for sure.

2.

3.

  1. A true passionate for photography.
  2. Love to make friends.
  3. Love to collect vintage cameras.
  4. Dreaming to make a trip around the world.
  5. Favourite cuisine food: portuguese, of course.
  6. TV addicted.
  7. Happy with the life.

4.

My nominated blogs:

  1. Javier GM Photography
  2. Mike Schultz Paintings
  3. Russel Ray Photos
  4. Teacher as Transformer
  5. Kristin Ralston
  6. Creative Dreamers
  7. Humorous Dispassionate
  8. Meanwhile, Melody Muses…
  9. Eldin Smille
  10. Free Tag Zone
  11. nyparrot
  12. Fictional Machines
  13. Le Drake Noir
  14. Ron Mayhew
  15. Film Is love

I’ll sent this link post to all blogs I’ve nominated.

Thank You and regards.

 

 

 

 

 

 

Pentacon Six.

The Pentacon Six line were cameras made by VEB Pentacon Dresden in the former East German Democratic Republic from the late 1950’s to 1990. A professional camera with many accessories and lenses, the bayonet mount and the design of the camera were copied inside and outside Warsaw pact countries. Lenses for the Pentacon Six were made by Carl Zeiss Jena and were outstanding in both design and performance, however the camera its self can be a different story all together.

Photo by:  i’m Jac

A professional camera with many accessories and lenses, the bayonet mount and the design of the camera were copied inside and outside Warsaw pact countries (The Soviet built Kiev 60 and West German built Exakta 66.)

First of all, you’ve probably noticed the odd design for a 120 SLRcamera, most of them run film top to bottom or vise versa, but on the Pentacon Six line, the film runs from left to right, like a 35mm camera. This new feature results in a more conventional design but leads to one of the systems most annoying issue, Film spacing.

If improperly loaded the Pentacon Six TL will have spacing issues, this is mostly due to the fact that the engineers designed the camera to fit 13 6×6cm exposures on 120 film, making the spacing small to begin with. Secondly the film advance lever is somewhat fragile, the biggest mistake you can do to a Pentacon Six is to let the film advance lever snap back after winding, gently guide it back to its resting position; not doing so will damage the gears inside the camera resulting in an inconvenient trip to a repair shop. Avoid early “Praktisix” models as these are the most unreliable of the entire Pentacon Six line, your best bet is to get your hands on the most recent and most reliable Pentacon Six TL.

Photo by: zgodzinski

The Pentacon Six TL is all in all a awesome chunk of East German engineering, it just feels well built in your hands, with its faux leather covering and brushed steel trim it looks the part too! (and weighs the part as well !)

The Pentacon Six TL is extremely capable of professional grade images and has a shutter range from 1 second all the way up to 1/1000th of a second ( along with B) , has available TTL metered prisms along with X flash synchronization, making this camera tremendously expandable and worthy of “serious photographers.” Of course the Pentacon Six TL is also a great asset to any “Non-serious” photographer as well as Lomographers.

Another great feature of the Pentacon Six TL is that you get Hasselblad quality pictures at a bargain basement price of around 200-300$ for a well maintained model, a great deal considering how any western built 120 SLR made by Bronica or Hasselblad can easily go for 500-1200$ depending on condition, so why pay more when you can get the same quality pictures out of a camera that has tons more charisma and character at a fraction of the price?

Pros:
-Great quality pictures at a great price.
-Intelligent design with many features.
-Hundreds of lenses and prisms available for reasonable prices.
-World class quality lenses from Carl Zeiss Jena.
– Made in the DDR! How cool is that?!

Cons:
– Large, heavy design.
– Can be tricky to load properly.
– Finicky advance mechanism.
– Quality issues on early models.

Source.

How to Collect and Identify Vintage Cameras.

Collecting vintage cameras has become more popular in recent years, especially as digital cameras have replaced film cameras in most homes as the first choice for family and holiday snapshots. Collectors should follow a few simple guidelines when considering vintage cameras, whether they are collecting for fun or hoping to find rarities that will gain value in the future.

Instructions

  1. Find out what cameras are collectible and which are just junk. Get a vintage camera collector’s guide, such as the McKeown’s Price Guide to Antique and Classic Cameras. The guide is large and expensive but is the most comprehensive book on vintage cameras on the market. Watch auctions on eBay and see which cameras get a lot of bids. These two sources alone can help you become familiar with vintage cameras.
  2. Poke around antique stores, thrift stores, flea markets and vintage camera shops. Look at the cameras that are available and see what prices these stores are asking. While browsing, you should pick up the cameras and give them a good going-over, checking for dirt, rust, mold and other conditions that might make the camera inoperable. You should also try the mechanics of the camera to see what works and what doesn’t. The more you handle vintage cameras, the more familiar you will become with the various brands and styles that are out there, as well as what a mint-condition camera versus a poor-condition camera looks and feels like.
  3. Look for cameras that were extremely popular brands and that were produced in high quantities, which may be easy to find in a decent used condition. These are great cameras to search out, especially for vintage camera collectors who wish to use the cameras to take photos and not just to display or resell them. Leica, Nikon, Canon, Minolta and Yashica are all well-known brands that created quality products. Beware of cameras that have no name on them or that are imprinted with brand names you don’t recognize. While some of these might be decent cameras, it is always a good idea to do the research first and find out before you buy. You will become familiar with the common cameras quickly, and after some study, the rare finds will begin to stand out.
  4. Look for cameras that will hold their value for a long time. Usually these are cameras that introduced new, groundbreaking technology when they were released or that became known as workhorses–cameras that could function well for a long time with little maintenance. Leica cameras were the first 35 mm cameras that were compact and portable and have maintained a lifetime reputation for being great cameras with exceptional lenses. Argus was the first American compact 35 mm camera, which sold for $12.50 when it first hit stores in 1936. While their value isn’t very high, vintage Argus “Bricks” can still be found in good working order, and they make great 35 mm cameras for amateur photographers who want to play around with manual film cameras. Rollei was a popular brand, especially for their medium format Rolleiflex, which was used by several fine art photographers. Rolleiflex cameras are still easy to find in good working condition. The Nikon F introduced an updated SLR design that made it much easier for photojournalists to use it in the field. Nikon still produces the F series, so there are several generations of these to be found, from the original through to the more recent F6. There are other great cameras to look for; just do your research and find one that suits your style.
  5. Decide what is of value to you and then start learning all about that type of camera if you want to collect vintage cameras. Small, portable cameras have been marketed to consumers since the 1920s. Millions of makes and types of cameras have been produced since that time. Some vintage camera enthusiasts are photographers first and want to collect cameras that will be usable either as is or with some minor cleaning and repairs. Photographers frequently collect several of the same kind of camera so that they can use the ones in good condition for photos and the others can be broken down for parts. Other collectors have no intention of using the cameras but are interested in finding and collecting vintage pieces to display for nostalgia or in hunting down rare treasures to resell them.

Tips & Warnings

  1. Visit your local vintage camera shops, thrift stores and antique stores frequently. In many places, the turnover of stock happens quickly, and frequent visits will allow you to keep up with what’s coming in. Also, the more that store owners get to know you and what you’re looking for, the more likely they are to start buying those items from others and letting you know about them.
  2. If you’re looking for vintage cameras that are still in working order, become familiar with how to check camera functions and how to clean old cameras. Some conditions, such as mold in the lens, are not easily reversed and make the camera inoperable unless you replace the lens.

Source.

Best photographs ever – Part I.

1 – Vulture Stalking a Child – Kevin Carter.

2 – Afghan Girl – Steve McCurry.

3 – Migrant Mother – Dorothea Lange.

4 – V-J Day in Times Square – Alfred Eisenstaedt.

5 – Napalm girl, Vietnam – Nick Ut .

6 – Uganda Famine – Mike Wells.

7 – Albert Einstein –  Arthur Sasse.

8 – Fire on Marlborough Street – Stanley J. Forman.

9 – Nagasaki 1945 – U.S. Air Force.

10 – Che Guevara – Alberto Korda.

Best photographs ever – Part II.

How to choose the camera film.

In this short video:  several nice tips how to choose the correct film camera.

 

Hasselblad 500 C/M.

Hasselblad was the first maker of commercial medium format SLR‘s.

They have been around for 40+ years, and the cameras made back then are still functioning perfectly if they were kept right etc. The 500c/m was made from 1970-1994, and was the replacement to the 500c. The only major change from the 500c was that the focus screens were interchangeble, so this single component could now be replaced, instead of the entire system.

The 500c/m is fully mechanical, and therefore requires absolutely no power source. The Hasselblad 500 series camera system consists of 4 major parts. The body, which is where the mirror is located, and is the central part of the system. The Finder, there are many different types of veiwfinders, but in this review the waist level finder (WLF) will be covered. The lens, which is where the leaf shutter, aperature and shutter settings, focus, and flash hookup, is located (so the lens actually does more than the body). And the 4th component is the film back.

These some in 6×6 and 6×4.5, but I use 6×6 backs so thats all I can speak for, although the only difference is a film mask inside them.

Medium format was and still is for the most part, the inductry standard for fashion and advertising photography, because it can be blown up to enormous sizes. when considering how large an average dslr shot can be blown up, You ask, I wonder how and 8×10 will look…no, no, no, with MF think BILLBOARDS. Also the 6×6 format is a really great format to explore composition wise, and because it is a square, there is no difference between portrait or landscape.

The use of this camera, WILL take some getting used to when switching from a normal SLR or DSLR. it is shaped much differently, and has no “grips” so you must only hold it how you feel comfortable. Also because there is only one mirror involved with veiwing the image, when you look into the WLF it is backwards, and controls are inverted. But you will overcome that by your first couple shoots.

Vital Stats:

6 x 6cm format

Film: 120 film: 6 x 6 (12 frames), 6 x 4.5 (16 frames). 220 film: 6 x 6 (24 frames), 6 x 4.5 (32 frames); 70mm perforated film, Plaroid film. (each requires film specific backs).

Exclusive Hasselblad bayonet lens mount; Accepts all C, CF, CB, CFI, CFE lenses

1 second to 1/500th shutter speed, but shutter can be manually opened for long periods of time 24 hrs +

flash sync at all speeds

flash connected via PC socket in lens

Pros:

Extremely high quality
Zeiss lenses used
functionality of system
film can be switched mid roll via seperate backs
fully mechanical no batteries needed
syncs at all speeds

Cons:

Heavy
Accessories are very expensive
no metering system, seperate light meter reqiured or metered finder which are pricey
can be complicated at first, but everything is easily learnt

Conclusion:

This is a great camera for someone looking to do controlled studio type photography, but it isnt very prectical for anything other than that. When used for skateing flashes will have to be used, because of the 1/500 maximum SS. This camera will take getting used to, but once you have adjusted to it you will love it and the images it produces. A full system can be bought for as low as $600, but that would include body, WLF, 80mm f/2.8 lens, and a 120 back. Accessories for this camera are very expensive, so if you want to have a wide range of accessories, Bronica or Mamiya may be a better system for you (the fisheye alone is $7000+ new).

Source.

Intro to film cameras.

In this video You can check :

  • several vintage cameras
  • photographies shot with different kind of films
  • tips how to set the camera with manual settings