Victor Hasselblad.

Victor Hasselblad (born March 8, 1906, Gothenburg Sweden – August 5, 1978) was a Swedish inventor and photographer, known for inventing the Hasselblad 6×6 cm medium format camera.

In 1940 Swedish Air Force officers requested Hasselblad to construct a camera that rivalled the one found in a German reconnaissance aircraft shot down over Sweden. Hasselblad founded the Victor Hasselblad AB company in 1941 to produce cameras for the Swedish Air Force.

Hasselblad was famous for always trying out Hasselblad AB’s new camera models by photographing birds. For example Hasselblad 2000 was tried a week at Nidingen, the only place in Sweden where the Black-legged Kittiwake nests.

By 1948, the company introduced the first civilian Hasselblad camera, the 1600F, in New York City. Over time, Hasselblad has become a standard camera for many professional photographers.

On his death, Hasselblad willed, SEK 78 million (USD $8 million) to the Erna and Victor Hasselblad Foundation.

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Here it is a very interesting video about Victor Hasselbad, the F.W. Hasselblad & Co, best cameras ever made by Hasselblad and historical events which the brand was been involved.

Hope You enjoy it.

Pentacon Six.

The Pentacon Six line were cameras made by VEB Pentacon Dresden in the former East German Democratic Republic from the late 1950’s to 1990. A professional camera with many accessories and lenses, the bayonet mount and the design of the camera were copied inside and outside Warsaw pact countries. Lenses for the Pentacon Six were made by Carl Zeiss Jena and were outstanding in both design and performance, however the camera its self can be a different story all together.

Photo by:  i’m Jac

A professional camera with many accessories and lenses, the bayonet mount and the design of the camera were copied inside and outside Warsaw pact countries (The Soviet built Kiev 60 and West German built Exakta 66.)

First of all, you’ve probably noticed the odd design for a 120 SLRcamera, most of them run film top to bottom or vise versa, but on the Pentacon Six line, the film runs from left to right, like a 35mm camera. This new feature results in a more conventional design but leads to one of the systems most annoying issue, Film spacing.

If improperly loaded the Pentacon Six TL will have spacing issues, this is mostly due to the fact that the engineers designed the camera to fit 13 6×6cm exposures on 120 film, making the spacing small to begin with. Secondly the film advance lever is somewhat fragile, the biggest mistake you can do to a Pentacon Six is to let the film advance lever snap back after winding, gently guide it back to its resting position; not doing so will damage the gears inside the camera resulting in an inconvenient trip to a repair shop. Avoid early “Praktisix” models as these are the most unreliable of the entire Pentacon Six line, your best bet is to get your hands on the most recent and most reliable Pentacon Six TL.

Photo by: zgodzinski

The Pentacon Six TL is all in all a awesome chunk of East German engineering, it just feels well built in your hands, with its faux leather covering and brushed steel trim it looks the part too! (and weighs the part as well !)

The Pentacon Six TL is extremely capable of professional grade images and has a shutter range from 1 second all the way up to 1/1000th of a second ( along with B) , has available TTL metered prisms along with X flash synchronization, making this camera tremendously expandable and worthy of “serious photographers.” Of course the Pentacon Six TL is also a great asset to any “Non-serious” photographer as well as Lomographers.

Another great feature of the Pentacon Six TL is that you get Hasselblad quality pictures at a bargain basement price of around 200-300$ for a well maintained model, a great deal considering how any western built 120 SLR made by Bronica or Hasselblad can easily go for 500-1200$ depending on condition, so why pay more when you can get the same quality pictures out of a camera that has tons more charisma and character at a fraction of the price?

Pros:
-Great quality pictures at a great price.
-Intelligent design with many features.
-Hundreds of lenses and prisms available for reasonable prices.
-World class quality lenses from Carl Zeiss Jena.
– Made in the DDR! How cool is that?!

Cons:
– Large, heavy design.
– Can be tricky to load properly.
– Finicky advance mechanism.
– Quality issues on early models.

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Hasselblad 500 C/M.

Hasselblad was the first maker of commercial medium format SLR‘s.

They have been around for 40+ years, and the cameras made back then are still functioning perfectly if they were kept right etc. The 500c/m was made from 1970-1994, and was the replacement to the 500c. The only major change from the 500c was that the focus screens were interchangeble, so this single component could now be replaced, instead of the entire system.

The 500c/m is fully mechanical, and therefore requires absolutely no power source. The Hasselblad 500 series camera system consists of 4 major parts. The body, which is where the mirror is located, and is the central part of the system. The Finder, there are many different types of veiwfinders, but in this review the waist level finder (WLF) will be covered. The lens, which is where the leaf shutter, aperature and shutter settings, focus, and flash hookup, is located (so the lens actually does more than the body). And the 4th component is the film back.

These some in 6×6 and 6×4.5, but I use 6×6 backs so thats all I can speak for, although the only difference is a film mask inside them.

Medium format was and still is for the most part, the inductry standard for fashion and advertising photography, because it can be blown up to enormous sizes. when considering how large an average dslr shot can be blown up, You ask, I wonder how and 8×10 will look…no, no, no, with MF think BILLBOARDS. Also the 6×6 format is a really great format to explore composition wise, and because it is a square, there is no difference between portrait or landscape.

The use of this camera, WILL take some getting used to when switching from a normal SLR or DSLR. it is shaped much differently, and has no “grips” so you must only hold it how you feel comfortable. Also because there is only one mirror involved with veiwing the image, when you look into the WLF it is backwards, and controls are inverted. But you will overcome that by your first couple shoots.

Vital Stats:

6 x 6cm format

Film: 120 film: 6 x 6 (12 frames), 6 x 4.5 (16 frames). 220 film: 6 x 6 (24 frames), 6 x 4.5 (32 frames); 70mm perforated film, Plaroid film. (each requires film specific backs).

Exclusive Hasselblad bayonet lens mount; Accepts all C, CF, CB, CFI, CFE lenses

1 second to 1/500th shutter speed, but shutter can be manually opened for long periods of time 24 hrs +

flash sync at all speeds

flash connected via PC socket in lens

Pros:

Extremely high quality
Zeiss lenses used
functionality of system
film can be switched mid roll via seperate backs
fully mechanical no batteries needed
syncs at all speeds

Cons:

Heavy
Accessories are very expensive
no metering system, seperate light meter reqiured or metered finder which are pricey
can be complicated at first, but everything is easily learnt

Conclusion:

This is a great camera for someone looking to do controlled studio type photography, but it isnt very prectical for anything other than that. When used for skateing flashes will have to be used, because of the 1/500 maximum SS. This camera will take getting used to, but once you have adjusted to it you will love it and the images it produces. A full system can be bought for as low as $600, but that would include body, WLF, 80mm f/2.8 lens, and a 120 back. Accessories for this camera are very expensive, so if you want to have a wide range of accessories, Bronica or Mamiya may be a better system for you (the fisheye alone is $7000+ new).

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